Currently I'm working on several pieces, some of them using already recorded material from the past, and also I left space for brand new compositions. I usually think very much in the ASDR scheme of the sound, because one of my music theories led me to use the form of the main timbre as a part of the morphology of the musical works.
It means that I not always use the common A-B-A or A-B-A-C-A idea for song structure, I like to think of the works as "flows" of sound, that I intend to redirect to the heart. Because after all, at least to me, no matter we hear the sounds with the head, finally the real listener lies there.
In the technical side, I use keyboards with synthesis and sampling programmed exclusively by me, and electric guitar in a stereo set with which I do most of the works, with a lot of signal processing; almost the same treatment that I do with the keyboards. From time to time I change for acoustic sounds, generally in duo or trio with my brothers and friends, and also I add some tuned and untuned percussion where needed.